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is only one part of the story he’s telling on “Hideous Bastard.” “And I think I wanted to pull that apart, to separate those two,” he added, referring to his new album.
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“As if sex itself was something that was destructive or dangerous or shameful.” “It started to marry itself with my sexuality,” he said. “I was just opening the doors and it shut the doors again a bit.” “It happened at a time when I was just starting to be open with my sexuality,” Sim said. “I made that pint work for three hours and then had a ‘Dancing on My Own’ moment,” he recalled.Īs his teenage years wore on, he gradually became more comfortable with his gay identity. As a child, he was unaware that the cemetery was a popular cruising ground for men seeking anonymous hookups.Īt age 13 - when he had already reached his current height of 6-foot-3 but was even skinnier - Sim worked up the nerve to buy a pint at a local gay bar, not knowing that it catered to “bears,” a term for gay men who are hefty and hirsute. He remembers his mother warning him not to stray off the paths. Burt” and stepped around two headstones labeled “DADDY.” Sim used to walk through Brompton Cemetery in London to get to primary school. We walked past a bust of Burt Reynolds that Oliver greeted as “Mr. “It was a very boozy time,” said Sim, who is currently sober and in a 12-step program. Sim remembers little of that night besides riding around in a golf cart and being star-struck by the actor January Jones. The next stop was Hollywood Forever Cemetery, a site he hadn’t visited since the xx played a show there in 2012.
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“That’s where Mike kills his sister,” he said. “I feel the energy,” he said with a wide smile outside of one of the houses. Horror has long fascinated Sim, and during our afternoon in Pasadena he visited shooting locations from one of his favorite movies, “Halloween,” recreating poses as both the killer, Michael Myers, and the final girl, played by his favorite actress, Jamie Lee Curtis. “If I were to critique the band, there hasn’t been much of a sense of humor,” Sim said later with a roar of laughter. Sim speaks with great affection for his bandmates (who he swears are funny) but is also fond of ribbing them. “I got to kill Jamie xx, which is something I’ve always wanted to do,” Sim said, referring to the monster’s first victim, played by his bandmate. The outsized ridicule he faces from the public literally transforms him into a monster. The film is largely impressionistic, but it tells the story of a pop star who comes out as gay on live TV. Their correspondence led to the film “Hideous,” a pastiche of early silent film, 1960s British television, 1970s glam rock and 1980s gay pornography. “I confessed to him that the first time I met one of my ex-boyfriends, we were exchanging music from the xx,” Gonzalez said in a video interview. The film, which is set entirely to tracks from Sim’s album, was directed by Yann Gonzalez, another gay artist Sim reached out to during the pandemic. Many of his friends and family were aware of that fact, but this is the first time he’s chosen to discuss his status in public. “Hideous,” a mid-tempo pop song with moody and lush orchestration, opens the album, and its final verse packs a wallop: “Been living with H.I.V.
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Something darker lurked beneath his blue-and-white-striped button-down: a T-shirt emblazoned with “Buffalo Bill’s Body Lotion,” an allusion to the serial killer in the film “The Silence of the Lambs.” On an April afternoon, he sported baggy khakis and a fresh tan courtesy of a weekend watching his bandmate Jamie xx at Coachella.
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He is tall and slim, with gigantic amber-colored eyes that he says turn a bit green when he cries. Oliver Sim is far from ugly in any conventional sense of the word. “To me, starting a song with ‘I’m ugly’ is hilarious.” “A lot of the sense of humor is very British,” he said. Sim’s vocals on “Hideous Bastard” are flinty and melismatic.